Corporate Theatre

An act performed with stock props—
common avarice, preferred prayer,
garaged convertibles, arrest warrants.

Setting: a dimly-lit office—
boxed files, encrypted evidence,
accrued interest, hollowed equity.

Enter the four players—
Founder. Investor.
Manager.  Employee.

A shroud falls after the first scene of
hushed negotiations, rash decisions,
turnaround specialists, legal execution.

Time of death? Written on a form filed by men of habit,
a notice sent to the local business rag,
a remark whispered in a pub— the company foundered.

The as-yet uncontaminated engrave an epitaph on the vault door—
Available, after the lawyers scrub out the stink of failure.
Of the stricken within— a rotting corp, with hands folded.

Recyclable employees claw into vertical positions,
managers supplicate quotations for furniture and fixtures,
founders stiffen attitudes, bury emails, spawn excuses.

Office equipment is consigned to a resting place—
disposal men grasp them by their attached cables
and file out, precisely positioning each into a black van.

Responsibility? Blame this! Blame that! Sue the consultant!
When driving by a seven car pileup, the officers direct:
move along, there are no lessons to be learned here.

Missed opportunities and fumbled execution
play no role because— well, just because.

Let’s raise money for our next brilliant idea.

— Published in The Rutherford Red Wheelbarrow #8 (2015)

Somewhere Else

I pick up a stick and dig a hole.
If I stand the stick straight up,

where on Earth does the bottom point to?
Google labels my fidget map tunneling.

An app calculates that I’m pointing
into the Indian Ocean, not far from Perth.

I learn that Tangier is opposite Christ Church,
and Hawaii is opposite a park in Botswana.

I swivel the stick, crossing cities and towns,
beaming Hey, I’m here, on the other side.

When my hand stills— where am I pointing?
What is the latest news? Who sings the popular songs?

Tracing a precise ellipse would sweep the equator,
but the app doesn’t have that feature.

Which circle’s diameter would intersect where the planet’s
mantle rests on the iron core, or the crust on soft mantle?

I think about pointing into the 32 Southern constellations,
starting with the Southern Ecliptic Pole in Dorado.

————————————————————
This poem was published as the
Red Wheelbarrow Poem of the Week
for August 12th, 2015. It was inspired by
some downtime at the NYC Poetry Festival
on Governors Island.

Noodle Pudding

The boat in Danzig would leave on time.

My grandmother and her two cousins traveled overland,
away from the Polish-Russian war.

Away from running into the woods
with only crackers for food.

Far from seeing men killed in the streets.

A long journey from avoiding windows because
she might get shot.

In school, she was taught in Polish, Russian, or German,
depending on who held the land at the time.

Years before, her parents manufactured horse blankets for the Russian army.

In 1923, my grandmother met her father’s former employee
on a Brooklyn street (a small connection).

Letters sailed across the ocean; news traveled from the family until 1939.

Then silence.

Always silence.

For the holidays, my grandmother baked a noodle pudding, glorious in every way—
two types of raisins, eggs, farmer cheese,
made in a bundt pan, baked perfectly, sliced thick,
couldn’t eat it fast enough, always wanting more.

It helped to ease the silence.

——————————————————————–
This poem was originally published in
The Paterson Literary Review #43 2015-2016

They moved into the house across the street

They moved into the house across the street.
Chinese, I thought.
My wife thought they were Japanese.

Our grandkids were in the school play with their grandkids.
Our wives met when they helped set up the stage.
We were invited over.

Their house brought back memories of ’68 Da Nang,
the smells of the SVA guys cooking their rice dishes.

He asked me, was I in the war, and I told him about
a couple of firefights near Khe Sanh.

He said that he was stationed in Hanoi until ’67,
and then he commanded a couple of VC squads. He asked
if I was ok with that.

I took a deep breath. Just two guys talking.

It was a long time ago.

I offered him my hand.

——————————————————————–
This persona poem was originally published in
The Paterson Literary Review #43 2015-2016

In the Library at Poet’s House, NYC

This room, filled with chapbooks,
full-lengths, journals, analyses,
a million hours of concentrated work—
this room listens—
each tap, stroke, page turn.

The poets surrounding me do not.

He writes about lost opportunities,
she, damaged relationships,
this one, how the media filters and fragments him,
that one, daily grocery lists and candy wrappers.

I write of the here and now.

If I bang the keyboard,
they would startle—
might they then think of poetry’s roots,
a throat’s voice, sounded words,
hands moving for eyes and not paper,
how spoken volume interacts with pacing and rhythm?

How can you (yes, you) shout a rage-poem on stage,
yet casually write that same performance
as if pouring cream into coffee?

This is my offer.
Think about the unexpressed sounds in this room,
listening as the room itself does,
in exchange for this poem.

Apparently, and disappointingly,
with your casual acceptance of the ‘quiet’,
you have declined my offer.

No deal. Please put down the page.

————————————————-
(This poem was on a coffee table at Poet’s House)

2014 sneaks up on you

It’s been a while since my last post. Lots going on.

I have a new Facebook page – https://www.facebook.com/wayne.miller.3532507

I co-manage social media for the Red Wheelbarrow poetry group in Rutherford – https://www.facebook.com/RWBPoets, http://redwheelbarrowpoets.wordpress.com/, https://twitter.com/rwbpoets, http://www.youtube.com/rwbpoets

I’m taking poetry classes at the Hudson Valley Writer’s Center, and writing two poems a week – http://writerscenter.org/

I attend slams and open mics with the Suffern Poetry group – https://www.facebook.com/suffernpoetry

I’ve had a few poems published this year, and one short story (details on my Facebook timeline).

When I have a sufficient number of poems published, I want to create a chapbook and enter it into contests. I already have ideas for themes, designs, and photos.

I want to someday finish writing the short story that I keep picking up and putting down.

And, lastly, the Stone Soup Poetry video of my feature was eventually shown on cable in both Lowell and Cambridge. I have the video files and may do something with them.

Under The Rock

Rock_2

There is nothing under the rock
Empty

Just some dust

Synthesized in a supernova crushing a cloud of gas into a new star
Five billion years ago

Fossilized shell remnants from a nautilus
Five hundred million years ago

Flakes cleaved off of a boulder when a pebble hit it during a hurricane
Fifty million years ago

Gastroliths from a crocodile eating nearby
Five million years ago

Colored pebbles gathered by a bowerbird displaying for a mate
Five hundred thousand years ago

Hills ground down from the ice covering the continent
Fifty thousand years ago

Grime dropped from a shoe of a man hunting antelope
Five thousand years ago

Ashes from a fire the wounded men danced around
Five hundred years ago

Coal from a steam train passing nearby
Fifty years ago

Construction debris from building new condominiums
Five years ago

Carpet sweepings from an unhappy home
Five months ago

Smoke from birthday candles for a one hundred year old woman
Five days ago

Sand placed by ants excavating their nest underneath
Five seconds ago

Just look

See

Nothing there

Empty

Just some dust
Under the rock

  

  
(Under The Rock has been accepted by Turtle Island Quarterly for publication)

Wrap Her Voice

Rolled blanket

Up on the stage, she slowly waves her hands over her head
Her ethereal song lifting all those around her
Singing as an angel
An ancient spirit is upon her

Afterwards, the techs wrap her voice
In a large blanket rolled around and around
To tightly fit roadie case #15
For transport to the next venue

Unpacked fifteen minutes before climbing onto the arena stage
She tests her voice and prepares for her call

He said that they should not silence her melody
Her sound should flow as freely as the wind
So she can answer the birds outside
And sing to her children

He begged her to think about her sacrifices
He reminded her that her voice is owned by her and not by her manager

She glanced at him, and he knew, more than if she spoke a thousand words
Her dream and her destiny

On the stage, she looks at him standing in the front row as she sings of love
He looks back, mouthing his response
And she slowly smiles, as a woman, as an angel, as a star

Echoes of the Unsaid

Universe

 
A universe’s heart and edge
Move apart at the speed of time
In an endless solitary journey

The lonely center
Pulses outward, outward
Rhythmically

Sending yearning needs
Focused by a knotted vacuum
Towards a too distant past

Always curving
But never crossing
Its Möbius boundary

Endlessly straining to listen for
An answer from beyond
And to respond in turn

But silence
Is what remains after the sound fades away
And one still listens, listens

For a message
That can never be heard
Beyond the expanding unity

Of the one
Craving another
On the shadow side

The lonely center
Pulses outward, outward
Rhythmically

Forever, sadly,
Hearing only
The echoes of the unsaid